ha!.. look i found my way here.. awesome video ross.. mad props on the time lapse video.. where’s the other time lapse video you said u were gonna do after wat?… 8 blue cups.. lmao.. jm jm.. keep the awesome videos coming..
480p (66.7 MB)
720p (133.7 MB)
(Latest version of Quicktime required)
This film I created by myself. It is a series of time-lapse shots that I edited together and put to music. Rather than using a regular video camera, I opted to use a digital SLR camera because it allowed me to shoot in ultra high definition as well as get the depth of field only available to film cameras.
Materials
Canon digital Rebel XT
Canon TC-80N3 Timer
Tripod
Quicktime Pro
Final Cut Pro
UPDATE: I forgot to mention that the TC-80N3 doesn’t fit with the Canon Rebel, so I found this guy who makes a custom adapter for exactly this problem.
I’ve gotten a lot of questions about how I made this video. One thing that I would really stress is using Google and searching just for random techniques, examples, and tutorials. This is how I have learned 60% of everything I know. (30% from real life experiences, and 10% for actual school)
The Techniques
When I first set out to create this thing I had to think about what kind of equipment was out there and how I could create my desired effect within my budget (not much). I already had a digital SLR camera (strongly recommended) to shoot pictures, but I needed a way to time the shots so that I didn’t have to touch the camera at all (touching the camera, even the shutter button makes the shot unusable).

What I discovered (through the internet) was the Canon TC-80N3. It let me hook up the timer to my camera (with an attachment). Once I got everything I needed, I set out to make something tight. First I just experimented with shots around my house, which came out surprisingly well and ended up in the final cut. The best technique to use when first starting out is experimentation and thinking outside the box. Moreover, learn how to use your digital SLR camera. This will allow you to make the shot turn out to your liking without wasting 2-4 hours of your time looking at your footage after you bring it back to your computer.
I also got a lot of questions about how long I expose shots. To be honest, it depends. Some shots take 30 second exposures at 31 second intervals, while other shots took 1/4000th of a second at 10 second intervals. A lot of it depends how fast your subject is moving, and the lighting conditions. But be sure that when you start taking photos, you don’t touch the camera. For example, in the shots of the stars, I had to take 30 second exposures at 31 second intervals because the sky moves extremely slow. But for the blurred shots of traffic, I took 1-2 second exposures at 5 second intervals.
One weekend, I traveled out to the Anza-Boreggo Desert outside of San Diego to shoot pictures. I also shot some pictures of me working on it: click here. Basically, I camped in my car and drove around the area looking for cool, scenic landscapes. At times it would get boring, cause there was nothing to do while the camera took pictures. Other times I would go hike around and looks at other cool landmarks. The nice thing was that I went at the end of summer, so it was cool enough, and there was barely anyone in the area, allowing me to leave my camera unattended at times (not recommended).

After most shots, I would import the photos onto my laptop and check to see how the scene came out. To do this, I basically imported the photos like a normal digital camera. Then I needed to resize my photos to be 1080p. (They could have been ultra high definition, but I decided the largest they needed to be was 1080p.) To do this, I had to resize every picture which would have taken a very long time to do since I literally took thousands of photos. Instead, since I use a mac, I created a custom Automator action. (Learn more about Automator by Googling it.) This lets me simply click 1 button and the resizing is done. If you’re using a pc…umm, well, you’re on your own.
Next what needs to be done is make a Quicktime movie out of the individual photos. So using Quicktime Pro, I chose file>Open Image Sequence… then select the first photo in the photo set. Quicktime then asks what frame rate you want it to be. I use 24 frames per second because that’s the Hollywood standard. Finally, you can preview your movie and save it. Now what I did was take it into Final Cut Pro and edit the shots like a normal movie.
Hopefully this was helpful. If not feel free to contact me with any questions or comments.
ha!.. look i found my way here.. awesome video ross.. mad props on the time lapse video.. where’s the other time lapse video you said u were gonna do after wat?… 8 blue cups.. lmao.. jm jm.. keep the awesome videos coming..
I think your video is pretty much amazing
Good job!
My friend Nathan (www.nathangibbs.com) turned me on to your video and I have to tell you how incredible I think it is. Really, really stunning. And thank you so much for the tutorial. I haven’t ever tried the time-lapse photography but I’m now itching to get going.
Black…
OMG! I cant beleive it….
Got here via Nathan Gibbs’ comment on Aaryn B.’s blog. Beautiful choice of music. Have you shared this with TAL? I bet they’d dig it.
Excellent! i have a question pertaining to the import of the series of photos into final cut. I am wondering how to import the selected series of photos into the time line at the correct play speed. any insight would be great!
I can’t add your feed to Feedburner. How I do this?
I couldn’t understand some parts of this article Eclectic, but I guess I just need to check some more resources regarding this, because it sounds interesting.
Where I see gallery?
How much does it cost to deploy a banner on your blog?
Ross,
Great video, I really liked it. I wanted to ask you a couple of questions. I have a DVX 100 and I wanted to shot something similar. Do you know what the camera settings are in order to capture the sunset, sunrise, the moon and traffic just like you did. Or do you know any places where I could get more technical info. Thanks.
LC
Terrific view on Eclectic. Always love this posts!
Hi Ross. I’m writing a story for a national magazine on technology and art. Would you be available to talk to me about Eclectic?
Thank you for sharing!
Hi…I Googled for slr camera, but found your page about Eclectic…and have to say thanks. nice read.
Great job. I really liked Eclectic and can’t wait for 2.0. Could you please send me a high resolution version. Thanks
Pretty Awesome Ross! How do I get a high definition copy?
That film is breathtaking. Can I get a hi-def copy? Thanks.
Put me in for the highdef copy. Amazing. Now to get my gear out and make one!
Thanks for the great video. Can I get a copy of the hi-def version? Thanks again.
Very nice work. The DSLR really opens doors in this type of media. You have done a great job. I have experimented with time lapse and am currently working on a project as well. We have built tracks for the camera to traverse as it is capturing images. The first few projects involved static shots but all the new stuff will be dynamic.
Keep up the great work!
Nathan Williams
http://www.realmsofreality.net
I read about “Eclectic” in Popular Mechanics. I am a newbie to digital photography but your work has gotten me very excited about the opportunities to create on a low budget. I am interested in viewing your HD version, if you get the chance send me a link.
I am looking forward to your sequel
DS
Very nice work! I would love to get my hands on an HD version!
Ross,
Is there any chance of you posting up or emailing (pcmike-rosswp@pcmike.net) the wallpaper that you are using on your iMac in the article that ran in Popular Mechanics? It looks to be a picture you yourself shot and I think it’s simply amazing!! The shot I’m referring to is the landscape including the sunset and palm trees. Please please offer up the highest resolution copy you have!
Thank you so much. Oh and by the way… great work on the video! ![]()
Ross,
One of my students clued me in to your stuff after I showed a filmed called KOYAANISQATSI as an exercise in imagery and poetry.
- If you are at all familiar with Godfrey Reggio’s KOYAANISQATSI, filmed with a moving score by minimalist composer,Philip Glass, then I am not surprised at the influence. What you are doing now in 2007/2008 is what Reggio conceived in the late 1970s, though his use of technology may have been more primitive.
That aside, wonderful job with the use of your camera and good eye for strong images of the natural and the technological. I like it a lot!
A high school teacher in Pittsburgh.
please send me a link to hd version on
Hi Ross,
I read about eclectic 1 on Popular Mechanics and after watching it I got excited and wanted to try the same thing on my new Nikon D80. Ran into the same problem of not finding an intervalometer for D80. I am sure many of you have the same problem. So here is your solution:
Couple of hours of google/ebay search led me to this company \
looks like the post got cut off:
Ebay Search for : Remote Timer
Would love a link to the hi-def. beautiful work.
Your films Eclectic and Eclectic 2.0 are fantastic! Your interview in Popular Mechanics was very, very interesting. It\’s possible to obtain Eclectic in HD?
Really like this video, am going to try something similar myself with the help of the techniques you have listed on here. Hopefully learning this skill will lead to new creative possibilities. Thanks again mate, D
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